Put a nickel in the jukebox, assuming you can locate a jukebox, and that you remember what a nickel is. Here’s legendary Beach Boy Brian Wilson singing lead and 10-part harmonies on “Speed Turtle.” The incomparable Neil Sedaka crooning “Your Nose.” B. B. King brings you a wistful “One Shoe Blues,” Gerry and the Pacemakers offer “Mersey Lullaby,” and relative newcomer (in this seasoned company) Patti LuPone of “Evita” fame sings—what else—the “Rabbit Tango.” And then there’s the hit single from Boynton’s Your Personal Penguin sung by the impossibly cute Davy Jones of The Monkees. I mean jeepers, even Sha Na Na is here. So roll over, Beethoven—and Lieber and Stoller. Boynton & Ford once again bring great words, great music, great performers to children and vintage children alike. And OH! The book! Boynton has filled it with all things 50s and 60s. And, well, golly, it’s so happy and colorful and just terrific, Mister! Grab your saddle shoes, plunk two straws into that swell chocolate malt, and let’s twist again like we did last century.
Music
Good Masters! Sweet Ladies!: Voices from a Medieval Village
Step back to an English village in 1255, where life plays out in dramatic vignettes illuminating twenty-two unforgettable characters. Maidens, monks, and millers’ sons — in these pages, readers will meet them all. There’s Hugo, the lord’s nephew, forced to prove his manhood by hunting a wild boar; sharp-tongued Nelly, who supports her family by selling live eels; and the peasant’s daughter, Mogg, who gets a clever lesson in how to save a cow from a greedy landlord. There’s also mud-slinging Barbary (and her noble victim); Jack, the compassionate half-wit; Alice, the singing shepherdess; and many more. With a deep appreciation for the period and a grand affection for both characters and audience, Laura Amy Schlitz creates twenty-two riveting portraits and linguistic gems equally suited to silent reading or performance. Illustrated with pen-and-ink drawings by Robert Byrd - inspired by the Munich-Nuremberg manuscript, an illuminated poem from thirteenth-century Germany - this witty, historically accurate, and utterly human collection forms an exquisite bridge to the people and places of medieval England.
Jazz on a Saturday Night
If you have ever been lucky enough to hear great jazz, then you will understand the pure magic of this book. Leo and Diane Dillon use bright colors and musical patterns that make music skip off the page in this toe-tapping homage to many jazz greats. From Miles Davis and Charlie Parker to Ella Fitzgerald, here is a dream team sure to knock your socks off. Learn about this popular music form and read a biography of each player pictured-and then hear each instrument play on a specially produced CD. What’s the featured song? “Jazz on a Saturday Night,” written and recorded to accompany this book.
Little Rat Makes Music
Little Rat can’t wait to make music like the violinists she sees at concerts in the city. But her biggest obstacle is practicing. It’s boring. It’s hard. And her violin squawks a lot. Luckily, Little Rat’s teacher believes she has talent. And her new tutor agrees. With their encouragement–and some fine-tuning–Little Rat hits all kinds of high notes. But most important, she discovers where beautiful music really comes from. In this third book of Little Rat’s celebrated tales of triumph, Monika Bang-Campbell and Molly Bang prove that with a bit of pluck, patience, and practice, anything is possible.
Rent Party Jazz
A New Orleans community helps one family raise their rent — by raising the roof! When Sonny’s mom is “let go” from work, there’s just no way to pay the rent. Sonny tries to help by shoveling coal, but the ten cents he earns isn’t enough. Smilin’ Jack, a trumpet player, offers to plan a rent party to raise the needed money. Neighbors bring food to eat and then sing and dance as Smilin’ Jack plays jazz. As the party heats up, guests toss coins in a bucket and their collection raises the rent money — and the community’s spirits! This book also includes a history of rent parties, which were common in African-American neighborhoods in the 1920s and ’30s.





